Matthew Ricketts (b. 1986, British Columbia) is a Canadian composer currently based in New York City. His music often engages with text-music relationships, quotation, impersonation and ekphrasis, moving from extremes of presence and absence, clamor and quietude. Matthew’s music has been noted for its “effervescent and at times prickly sounds” and “hypnotically churning exploration of melody” (ICareIfYouListen) as well as its “tart harmonies and perky sputterings” (The New York Times).
His works have been performed internationally by JACK Quartet, Mivos Quartet, the Fromm Players, Quatuor Bozzini, the Chiara String Quartet; vocalists Margot Rood, Ellen Wieser, Tony Arnold, Sharon Harms and Ekmeles; Yarn/Wire, Nouvel Ensemble Moderne (NEM), Wet Ink, TAK, Aspen Contemporary Ensemble, Stony Brook Contemporary Chamber Players, Ensemble Paramirabo, Argento Ensemble, Talea Ensemble, Jean-Willy Kunz, Sara Laimon and Julia Den Boer, the Aspen Philharmonic Orchestra (Robert Spano, cond.), Esprit Orchestra (Alex Pauk, cond.), the Minnesota Orchestra (Osmo Vänskä, cond.) and the Montreal Symphony Orchestra (Kent Nagano, cond.). Matthew was Composer-Collaborator-In-Residence at East Carolina University from 2016-2018.
Matthew is the recipient of eight prizes in the SOCAN Foundation’s Awards for Young Composers, a 2013 ASCAP Morton Gould Young Composer Award, the 2015 Salvatore Martirano Memorial Composition Award, the 2016 Mivos/Kanter Prize, the 2016 Jacob Druckman Prize from the Aspen Music Festival, the 2016 Lili Boulanger Memorial Fund Prize and the 2018 Elliott Carter Memorial Fellowship from the Tanglewood Music Center.
Active as a writer as well as a composer, Matthew has published articles, reviews, poetry and libretti, and has worked closely with renowned authors and poets Lauren J. Rogener, Paul Legault and Tomson Highway on multiple collaborative projects. Other collaborative endeavors include recent works for dancer-choreographers Brendan Drake and Jennifer Nichols.
Matthew holds degrees in music composition and theory from McGill University’s Schulich School of Music (B.Mus. 2009) and Columbia University (DMA 2017). Matthew’s principal mentors include Brian Cherney, John Rea, Chris Paul Harman, George Lewis and Fred Lerdahl. He is currently a Core Lecturer at Columbia University.
Article in Lufthansa Magazine about Chaakapesh and the OSM’s tour of Northern Quebec
Podcast conversation as part of the Movers & Makers series available here
Wavefield Ensemble premieres chamber re-orchestration of Melodia at National Sawdust, January 27 2019
Review of Wavefield premiere: https://www.icareifyoulisten.com/2019/02/wavefield-ensemble-visible-traces-national-sawdust/
The Minnesota Orchestra performs Melodia (Piano Concerto no. 1), January 18 2019
“Situation” from Song Cycle to be featured on Scrag Mountain Music Festival (Vermont), January 11-13 2019
Chaakapesh: The Trickster’s Quest opens the Montreal Symphony’s 85th season and tours Québec, September 2018
Review (Français): https://www.ludwig-van.com/montreal/2018/09/07/critique-osm-chaakapesh-coup-de-maitre-lancer-saison/
Review (English): https://classicalvoiceamerica.org/2018/09/11/indigenous-opera-puts-first-nations-culture-on-stage/
Invited to Bowling Green State New Music Festival for performance of Melodia (Robert Satterlee, piano), October 19 2018
Mivos Quartet gives the Canadian premiere of In Partial View (Vancouver New Music), October 19 2018
Selected to participate in the 2019 Minnesota Orchestra Composer Institute, January 2019
Invited to Santa Fe Chamber Music Festival, for premiere of new string quartet written for FLUX quartet, August 2019