CHAMBER

Melodia (2016-2017) 
for piano solo — 16'00

Highest Light (2016)
for organ solo

CV (2015)
for flute, clarinet, violin, cello and piano — 18'00

In Partial View (2015)
for string quartet — 15'00

Flat Line (2014)
for chamber ensemble of 15 players — 13'00

Enclosed Position (2014)
for alto flute, clarinet, string trio and piano — 9'00

After Nine (2014)
revised version for chamber ensemble — 16'00

Last Impression (2013)
for saxophone, piano and percussion — 15'00

Winter Line (2013)
for chamber ensemble of 14 players — 13'00

Burrowed Time (2012)
for chamber ensemble of 15 musicians — 17'00

Still Burning (2011)
for bassoon, bass trio, percussion and piano — 11'30

Trio (2011)
for clarinet, viola and piano — 8’30

Graffiti Songs (2010)
for flute, violin, cello and piano — 11’30

Summer Line (2009)
for saxophone quartet (SATB) — 8’00

Tilt (2009)
for cello and live electronics — 13’00

In What Language? (2009)
for chamber orchestra of 17 players — 12’30

 Suggestum (2007, rev. 2009)
for string quartet — 9’00

Double Concerto (2007)
for flute, clarinet and chamber ensemble — 10’30

VOCAL

Unset (2017)
for soprano and chamber ensemble — 11'00

Fälscherlieder (2016)
for six voices and 4 instruments — 20'00

Song Cycle (2015)
for soprano and chamber ensemble — 18'00

Swallow Songs (2014)
for high soprano and piano — 12'00

Women Well Met (2013)
for vocal sextet — 10'00

No Masque for Good Measure (2012)
opera for 4 voices and 4 instruments — 60'00